If you're looking for a robust feature set from your security suite, and you're looking for an affordable price, you could do worse than Trend Micro's 2010 products. Trend Micro has refreshed it Internet Security Pro, Internet Security, and the stripped-down AntiVirus plus AntiSpyware packages; and according to the publisher, they gain significant performance enhancements.
According to Trend Micro, the programs boot times are 20 percent faster and use 40 percent less RAM, the download size is 25 percent smaller, and that the quick scan on Windows XP and Vista is 20 percent faster. There are new features, too. Although, many of them didn't make it into Trend Micro Internet Security or Trend Micro Antivirus and Antispyware suites. This is problematic because the feature set is Trend Micro strength, but to get it, you have to pay for the Pro version.
Installation
One thing that Trend Micro doesn't do is tell how it calls out its behavioral engine, which is used to determine when a program is acting in an unsafe manner. There is a box you can check at installation to opt out of the behavioral program, but there's no clear explanation of what it is or what it does in the application. On the one hand, technology that lets the publisher leverage supposedly anonymous data from customers to catch surreptitiously-running threats faster isn't new; it's been around for a few years. However, this year more security suites are adopting behavioral engines. On the other hand, companies like Trend Micro must consider whether users will panic if it is mentioned clearly and then disable their computers from contributing data to the cloud.
As long as the data is truly kept anonymous, a behavioral engine can be an exceptional tool for preventing malware. But in Trend Micro's installation process, it looks like nothing more than another box and line item to read before installing; it could benefit from a more detailed explanation.
A customized installation process is available for people who wish to configure program location and tweak components. Trend Micro will also run a virus check once it's done installing and automatically update its definition files.
Interface and features
Trend Micro's 2010 interface has been refined from the previous year's version, with less dead space and more emphasis on both security status and ease-of-access to its security tools. The program launches into its Overview tab that highlights your security status with a large colored icon: green for Protected, and Red for Unprotected. Underneath that tab are links to your protection status, your license information, and a security report.
Each of these links drills down to essential information, exposing them in an elegant and uncluttered manner on the main page. The Protection Status link opens a window that details the status of your virus definition files, updates, firewall, unauthorized change prevention, spam filter, parental controls, and data theft prevention. Each of these has a green On or red Off status icon with a hidden explanation of each that can read by clicking on it. Unfortunately, there's no way to get from the list to the deeper controls for each--it's simple for toggling the status.
Also on the Overview tab are two buttons: one for activating a scan and one for manually updating the definition files. The scan button defaults to a Quick Scan, although it has a drop-down menu on its right side for selecting a Full Scan or Custom Scan. Scanning opens the scan window, which details which threats it's looking for, what files it's scanning, live results, and options to run in the background or shut down the computer after the scan has finished. Depending on how you set up the program, it will either automatically fix any threats found or ask for input. If you choose to auto-fix it, the app will still show you a window after the scan is complete, detailing what action was taken, and the threat links to more detailed information on Trend Micro's Web site.
The Virus & Spyware Controls tab offers four drop-down menus. The first checks for real-time viruses and spyware when you download files, leveraging the behavioral heuristics. The behavioral scan can be toggled on or off with a button, and it offers a configuration menu with a secondary, advanced features window, and a whitelist/blacklist link that is for cookie control. Despite what sounds like a confusing series of submenus, in practice, it was easy to navigate.
The Prevent Unauthorized Changes drop-down menu offers more control of installations. This is where you would manage programs that Trend Micro doesn't recognize, with the same on/off toggle and links to settings and exceptions. The next tab is for configuring scheduled scans and custom scans. It's frustrating that such a key feature is buried deep in the interface, especially since most users are still wary of holes in real-time protection. This scheduler only controls scan schedules--it doesn't offer update scheduling. There's another scheduler for updates, in another part of the program. Underneath the scheduler is the Quarantine section that helpfully categorizes the quarantined files as viruses, spyware, and Trojans.
The Personal Firewall Controls tab continues the interface scheme, with headline-style options that expose key information in a drop-down menu and link to options configuration windows. Through the advanced settings pane, the personal firewall exposes a wealth of firewall data, including the IP version, protocol used, and a simple description. Editing a protocol exposes even more data, for those who know how to use it.
Also in the Firewall Controls tab is the Network Connection status, which offers a cutoff switch to kill the Internet connection. We're not sure how useful this feature is, or if it's just a hand-holding measure.
The Internet & Email Controls tab--the next major section--contains the data theft prevention lists, parental controls, spam filter, and protection against Web threats. Its features share lists, although not features use all of the lists. For example, the Data Theft Prevention feature will block numbers and names that you specify from being sent through Web-based forms. The theft prevention feature only works in SMTP e-mail and instant-message clients in the Pro version. You can also select protocols that are allowed to send protected data, and which aren't. You can also insert customized data field to protect. The Web threats protection, which works to stop phishing and pharming, is heavily based on a firewall-style slider combined with whitelists and blacklists. Again, its efficacy is debatable, especially when a Web site's backend servers or ad server can be hacked without the site itself registering as risky.
As with many of Trend Micro's competitors, the parental control section can be configured for Adult, Teen, or Child. However, here you also have the option for "Mature Teen" and to customize a setting. The Adult user or system administrator can set access times based on user log-in, and customize the protected data field. Each of these options under Internet & Controls sports a green On or red Off toggle for quick verification.
The Other Settings tab offers more information about the Trend Micro subscription; Automatic Updates and a definition file scheduler; toggling the Trend Micro Smart Protection Network, which controls the behavioral information your computer submits; security warning pop-up controls; password protection to keep Trend Micro from being used by others; and logs access. Its interface scheme, with a simple-sentence drop-down explaining what a feature does as well as links to dig down for more settings, backfires here. Most of the options in this tab only contain one settings link, meaning that what should take one click takes two.
Frustratingly, the update scheduler can't be set to check for updates more often than once an hour.
Features only included in the pro version of the suite are: protection for mobile phones, the Trend Micro toolbar that installs on Internet Explorer and Firefox, a system tuner for recovering disk space and defragmenting of hard drives, and a password-protected vault that seals if your computer is stolen and accessed. The mobile protection is available only for Symbian- and Windows Mobile-based phones, and because of the variation of models, it requires configuring a download for your specific model. Mobile threats are growing, so being able to prevent browser-based attacks on your smartphone for the same cost of protecting your PC might appeal to some users.
Trend Micro has published a comparison chart so you can see which features made it into which products.
Performance
Although there were no problems navigating within Trend Micro, and there were no noticeable slowdowns to the naked eye, certain Trend Micro performance hang-ups did appear. For one, the suite had a difficult time respecting the default Web browser setting on our Windows 7 laptop. Sometimes it would open internal program links in Firefox, our default browser, but more often, it would open them in Internet Explorer. These links, opening into either browser, took much longer to load. It wasn't clear whether this lag was because of the main suite or the Trend Micro toolbar scanning the links before loading them.
CNET Labs' benchmarks reveal that all three of Trend Micro's 2010 products had an uneven impact on computer performance. Trend Micro Internet Security Pro and Trend Micro Antivirus with Antispyware slowed boot time by 4 seconds, while Trend Micro Internet Security only affected boot time by 1.5 seconds. The Pro version also dramatically slowed down shutdown performance, by nearly 8 seconds, while the basic Antivirus dragged on the shutdown cycle by less than 1 second, and Internet Security added 1.65 seconds.
The benchmark of Trend Micro's full scan was quite slow, with the Internet Security Pro and Antivirus with Antispyware products taking 19 minutes, and the standard Internet Security taking 20 minutes. The nonbenchmarked quick scan compared favorably with industry standards, coming in at 53 seconds. The full scan took an average amount of time, at one hour and 28 minutes. Besides potential hardware conflicts, keep in mind that these differences can often be attributed to the generally clean state of the benchmarking computer's hard drive, versus the numbers programs and files that reside on a real-world machine.
Trend Micro's results were also uneven on processor-intensive tests. On Microsoft Office tests, the Pro suite was, again, the slowest, followed by the stripped-down Antivirus. The basic suite, Trend Micro Internet Security, was the fastest of the three, running an average of 18 seconds slower than an unprotected computer. This pattern repeated with our CineBench tests. However, in iTunes decoding tests, all three notched nearly identical scores. In the multimedia test, the basic Antivirus was faster than its two siblings were by 20 seconds.
Unfortunately, Trend Micro's efficacy is debatable. It no longer participates in the trials run by AV-Comparatives.org, and the most recent data from AV-Test.org is for the 2008 version. Keeping in mind that the data is for a test from September 2008, but the 2008 release is actually from fall 2007 because of the security industry's naming conventions, Trend Micro had lukewarm results. It was able to detect between 90 percent and 95 percent of malicious software on demand; and it detected between 85 percent and 90 percent of adware and spyware on demand, but only it notched one to two false positives.
Support
Trend Micro offers free customer support, although if you're looking for help through the program, it will merely shove you via hot linked FAQs toward the Trend Micro Web site. The Product Help link will keep you on your computer, but the rest jump you online. Once there, Trend Micro offers prerecorded video help, manuals, online chat service, and phone service. The phone number is only listed on the Web site behind several links, and is difficult to find.
Conclusion
Trend Micro looks and feels like a professional security suite, but it's worrying that it doesn't participate in the major tests that their competitors are comfortable with. At the same time, it includes behavioral detection, which is becoming more important for catching more complicated threats. The mobile support is worthwhile for peace of mind, and for reminding users that just because you're on a cell phone doesn't mean you're risk-free. However, that's only available in the most expensive of Trend Micro's three packages. Overall, Trend Micro gives users a lot for their money, but lacks the verification from independent testers to be considered your best bet.
http://reviews.cnet.com/security-and-encryption/trend-micro-internet-security/4505-3688_7-33769501-2.html?tag=txt;page
04/10/10
These are computer tips for the everyday user. This A great place to start learning the basics about your computer and operating system. First, is to sit down and actually read the owners manual and help files.
Monday, May 10, 2010
Protools
Pro Tools is a Digital Audio Workstation platform for Mac OS X and Microsoft Windows operating systems, developed and manufactured by Digidesign, a division of Avid Technology. It is widely used by professionals throughout the audio industries for recording and editing in music production, film scoring, film and television post production. Pro Tools has three types of systems; HD, LE, and M-powered. HD is the high-end package and is an integration of hardware and software. The hardware includes an external A/D converter and internal PCI or PCIe audio cards with onboard DSP
Sound Tools[3] was debuted on January 20, 1989 at NAMM (National Association of Music Merchandisers). At this stage Sound Tools was a simple computer based stereo audio editor. Although the software had the possibility to do far more it was limited by the hard drive technology, which was used to stream the audio and allow for the non-destructive editing that Sound Tools offered.[4]
The first version of Pro Tools was launched in 1991, offering 4 tracks and selling for $6000USD. Digidesign continued to improve Pro Tools, adding a sequencer and more tracks, with the system offering recording at 16bit 44.1 kHz. In 1997 Pro Tools reached 24bit, 48 track versions. It was at this point that the migration from more conventional studio technology to the Pro Tools platform took place within the industry.[5]
Miami is widely believed to be the first city to broadly adopt Pro Tools in professional recording studios, and is often referred to as the 'Ground Zero' for Pro Tools.[8]
Pro tools was used in the creation of the live stadium version of the Believe sound track of Sea World's Believe Shamu Show and was mixed live on Pro Tools inside Shamu Stadium.
Bob Clearmountain once expressed concern that people would acquire Pro Tools system with little understanding of the editing process.[9]
Some artists are now making a point of recording without Pro Tools. [10] Jack White of The White Stripes argues that "Pro Tools is highly inappropriate to record music... It's too easy to correct mistakes, it's too easy to fix things. We hear this sort of clean, plastic perfection that's been applied to all the tracks. That is not the kind of music we grew up loving and listening to and wanting to be a part of."[11]
The rapper GZA named his 2008 album after the program.
Pro Tools was used for creating the audio for the game DJ Hero and Guitar Hero, using the modelling plug-in Eleven for the guitar sounds.[12]
The creation of Pro Tools 8 has now seen the addition of a MIDI edit window which enables the user to manipulate MIDI data in either piano-roll or score windows. It also includes the addition of MIDI edit lanes so that the user can see both note, velocity and other CC data in the same window. This move would take Pro Tools from the long held 2 edit window approach to now having 3 edit windows.
Effects processing and virtual instruments in Pro Tools are achieved through the use of plug-ins, which are either processed by the DSP chips as TDM plug-ins, or the host computer as RTAS (Real Time AudioSuite) plug-ins.
Pro Tools systems have long relied on dedicated DSP cards to handle most audio processing, due to the fact that at the time Pro Tools was first developed, consumer-level computers were not powerful enough to process high-end digital audio.[13] A HD Core PCI card or an Accel Core PCIe card is required in a HD 1 system; the inclusion of one or two additional Accel cards upgrades the system to HD 2 or 3 respectively, and increases the system's overall processing power, allowing for higher track counts and more plug-ins. An 'Expansion HD' product increases capability up to a total of 7 cards using Digidesign's PCI-X expansion chassis product, which is available with both PCI-X and PCIe host cards for the computer.
When Pro Tools HD was launched, HD Process cards were available, but owing to supply problems from DSP manufacturers Motorola[citation needed], the line was redesigned and rebranded HD Accel, which offers faster DSP chips and additional RAM. All cards contain 9 DSP chips. When Apple changed the expansion slot architecture of the G5 to PCI Express, Digidesign launched a line of PCIe HD Accel cards. The PCIe HD Core is now an 'Accel Core', whereas the original PCI-X Core remains 'non-Accel'. There are TDM plugins that require the presence of Accel chips to run and therefore cannot run on the earlier non-Accel HD systems.
There are three families of external interfaces for Pro Tools LE systems. The original MBox (2002) and current MBox 2 family connects to, and is powered by a host computer through USB (except the FireWire connected MBox 2 Pro). All have a stereo audio output, and all but the MBox 2 Micro have two line inputs and at least one microphone pre amp. The Digi002 and, currently, Digi003 family is a series of FireWire connected interfaces with larger I/O capabilities, additional methods of inputing audio and four microphone pre amps. The Eleven Rack guitar processor combines in-box DSP processing that offloads the Eleven guitar amp/speaker emulation and guitar effects plug-in running from the host PC and allows those plugins to run standalone. Eleven Rack is Digidesign's first USB2.0 based product and also includes microphone and line-level I/O.
The Pro Tools LE software is essentially a limited version of the HD counterpart, with a smaller track count, no Automatic Delay Compensation (ADC), and lower maximum sampling rate. As no additional DSP cards (with the exception of the on-board DSPs in the Eleven Rack) are required or supported, only RTAS plug-ins can be used. There is a VST to RTAS adaptation software utility made by FXpansion[1]
that will allow VST plugins to be used as RTAS plugins. Time code based grid, import of OMF and AAF files and DigiBase Pro are not available in Pro Tools LE without the purchase of the DV Toolkit or Complete Toolkit software addons.
Also, Multitrack beat detective is not available without music production toolkit.
There are other options there are not available on ProTools LE series like capture or replace regions automatically.
Notable Users of Pro Tools LE Craig Burrows, Nine Inch Nails
The Music Production and DV Toolkits increase the capabilities of non HD Pro Tools systems. Both increase the maximum number of tracks and highest possible sample rate to 96 kHz and include numerous additional plug-ins. The LE only DV Toolkit adds feet and frames and timecode timelines and functionality.
This was a move which saw the landmark redevelopment of Pro Tools in Pro Tools 8, which relied heavily on the inclusion of AIR plug-ins to bring it closer to its competitor Logic Pro. This was the first version of Pro Tools to see the inclusion of an entire virtual instrument library to assist those composing music[15] and included:
http://en.wikipedia.org/wiki/Pro_Tools
04/10/10
Overview
Fundamentally, Pro Tools, like all Digital Audio Workstation software, is similar to a multi-track tape recorder and mixer, with additional features that can only be performed in the digital domain. The high-end version supports sample rates of up to 192 kHz and bit depths of 16 and 24 bit, opens WAV, AIFF, mp3, SDII audio files and QuickTime video files. It features time code, tempo maps, automation and surround sound capabilities. Order of products from lowest to highest are as follows: Essential, M-Powered, LE, HD, HD2 & HD3.[edit] History
Pro Tools was developed by UC Berkeley graduates Peter Gotcher and Evan Brooks. Both were double majors in electrical engineering and computer science at Berkeley. The first incarnation of Pro Tools started life in 1984 as Sound Designer, while the pair were creating and selling drum sound chips under their Digidrums label. Sound Designer was originally designed to edit sounds for the E-MU Emulator sampling keyboard[1]. Gotcher and Brooks discussed with E-MU Systems the possibility of integrating their renamed 'Sound Tools' software into the Emulator III keyboard released in 1987. E-MU rejected this offer and Gotcher and Brooks started Digidesign.[2]Sound Tools[3] was debuted on January 20, 1989 at NAMM (National Association of Music Merchandisers). At this stage Sound Tools was a simple computer based stereo audio editor. Although the software had the possibility to do far more it was limited by the hard drive technology, which was used to stream the audio and allow for the non-destructive editing that Sound Tools offered.[4]
The first version of Pro Tools was launched in 1991, offering 4 tracks and selling for $6000USD. Digidesign continued to improve Pro Tools, adding a sequencer and more tracks, with the system offering recording at 16bit 44.1 kHz. In 1997 Pro Tools reached 24bit, 48 track versions. It was at this point that the migration from more conventional studio technology to the Pro Tools platform took place within the industry.[5]
[edit] Pro Tools in Popular Culture
Ricky Martin’s "Livin’ La Vida Loca" was the first No. 1 single to be recorded, edited, and mixed completely within the Pro Tools environment by Charles Dye and Desmond Child.[6][7] Garbage's Version 2.0 was the first album to be nominated with Grammy for Album of the Year that had been entirely recorded and edited through Pro Tools.Miami is widely believed to be the first city to broadly adopt Pro Tools in professional recording studios, and is often referred to as the 'Ground Zero' for Pro Tools.[8]
Pro tools was used in the creation of the live stadium version of the Believe sound track of Sea World's Believe Shamu Show and was mixed live on Pro Tools inside Shamu Stadium.
Bob Clearmountain once expressed concern that people would acquire Pro Tools system with little understanding of the editing process.[9]
Some artists are now making a point of recording without Pro Tools. [10] Jack White of The White Stripes argues that "Pro Tools is highly inappropriate to record music... It's too easy to correct mistakes, it's too easy to fix things. We hear this sort of clean, plastic perfection that's been applied to all the tracks. That is not the kind of music we grew up loving and listening to and wanting to be a part of."[11]
The rapper GZA named his 2008 album after the program.
Pro Tools was used for creating the audio for the game DJ Hero and Guitar Hero, using the modelling plug-in Eleven for the guitar sounds.[12]
[edit] Interface
Most of Pro Tools' basic functions can be controlled within Edit or Mix windows. The Edit window displays audio and MIDI tracks, and provides graphical representation of the information recorded or imported. Here, audio can be edited in a non-linear, non-destructive fashion. MIDI information can also be manipulated. The Mix window displays each track's fader channel and allows for the adjustment of a channel's volume and pan, as well as being the usual place to insert plug-in effects and route audio to and from different outputs and inputs.The creation of Pro Tools 8 has now seen the addition of a MIDI edit window which enables the user to manipulate MIDI data in either piano-roll or score windows. It also includes the addition of MIDI edit lanes so that the user can see both note, velocity and other CC data in the same window. This move would take Pro Tools from the long held 2 edit window approach to now having 3 edit windows.
Effects processing and virtual instruments in Pro Tools are achieved through the use of plug-ins, which are either processed by the DSP chips as TDM plug-ins, or the host computer as RTAS (Real Time AudioSuite) plug-ins.
[edit] Systems
[edit] Pro Tools HD systems
When run from a host Apple Mac or Windows PC, HD systems perform most audio processing on DSP cards, and use external, rack mountable interfaces to handle incoming and outgoing audio. TDM, a proprietary interconnect based on time-division multiplexing, is used for communication between the devices.Pro Tools systems have long relied on dedicated DSP cards to handle most audio processing, due to the fact that at the time Pro Tools was first developed, consumer-level computers were not powerful enough to process high-end digital audio.[13] A HD Core PCI card or an Accel Core PCIe card is required in a HD 1 system; the inclusion of one or two additional Accel cards upgrades the system to HD 2 or 3 respectively, and increases the system's overall processing power, allowing for higher track counts and more plug-ins. An 'Expansion HD' product increases capability up to a total of 7 cards using Digidesign's PCI-X expansion chassis product, which is available with both PCI-X and PCIe host cards for the computer.
When Pro Tools HD was launched, HD Process cards were available, but owing to supply problems from DSP manufacturers Motorola[citation needed], the line was redesigned and rebranded HD Accel, which offers faster DSP chips and additional RAM. All cards contain 9 DSP chips. When Apple changed the expansion slot architecture of the G5 to PCI Express, Digidesign launched a line of PCIe HD Accel cards. The PCIe HD Core is now an 'Accel Core', whereas the original PCI-X Core remains 'non-Accel'. There are TDM plugins that require the presence of Accel chips to run and therefore cannot run on the earlier non-Accel HD systems.
[edit] Pro Tools LE systems
Consumer-level Pro Tools LE systems perform almost all data processing on the host CPU, with the exception of the Eleven Rack, introduced in September 2009, which includes on-board DSP via dual TMS320c6727b chips. A Digidesign audio card (bundled with the software) must be used for all audio I/O (recording and playback); Pro Tools LE will not run on a normal consumer-grade sound card. The hardware thus doubles as a copy-protection mechanism for the software, as the software will not function without the specialized Digidesign sound card.There are three families of external interfaces for Pro Tools LE systems. The original MBox (2002) and current MBox 2 family connects to, and is powered by a host computer through USB (except the FireWire connected MBox 2 Pro). All have a stereo audio output, and all but the MBox 2 Micro have two line inputs and at least one microphone pre amp. The Digi002 and, currently, Digi003 family is a series of FireWire connected interfaces with larger I/O capabilities, additional methods of inputing audio and four microphone pre amps. The Eleven Rack guitar processor combines in-box DSP processing that offloads the Eleven guitar amp/speaker emulation and guitar effects plug-in running from the host PC and allows those plugins to run standalone. Eleven Rack is Digidesign's first USB2.0 based product and also includes microphone and line-level I/O.
The Pro Tools LE software is essentially a limited version of the HD counterpart, with a smaller track count, no Automatic Delay Compensation (ADC), and lower maximum sampling rate. As no additional DSP cards (with the exception of the on-board DSPs in the Eleven Rack) are required or supported, only RTAS plug-ins can be used. There is a VST to RTAS adaptation software utility made by FXpansion[1]
that will allow VST plugins to be used as RTAS plugins. Time code based grid, import of OMF and AAF files and DigiBase Pro are not available in Pro Tools LE without the purchase of the DV Toolkit or Complete Toolkit software addons.
Also, Multitrack beat detective is not available without music production toolkit.
There are other options there are not available on ProTools LE series like capture or replace regions automatically.
Notable Users of Pro Tools LE Craig Burrows, Nine Inch Nails
[edit] Pro Tools M-Powered systems
M-Audio, formerly Midiman, was acquired by Avid Technology in 2004–2005, and in April 2005, Digidesign released Pro Tools M-Powered which brought almost all Pro Tools LE functionality to a subset of M-Audio USB, Firewire and PCI interfaces. M-Powered requires M-Audio hardware as an interface and an iLok licence to use Pro Tools M Powered. Mackie Onyx-i Series FireWire Recording Mixers are qualified by Mackie for use with Pro Tools M-Powered 8 on both OS, Mac and Windows.[edit] Pro Tools Essential
This is based on the standard version of the software and enables you to record on up to 16 audio tracks. Up to eight virtual instrument tracks can be used simultaneously, and the Structure Essential plug-in (which gives you more than 60 sounds) comes supplied. It comes bundled with 3 different M-Audio interfaces; Pro Tools Vocal Studio, Keystudio and Recording Studio which are bundles of microphone, keyboard or USB MIDI interface respectively. They are aimed at the starter market, and offer very limited scope including no 3rd party plugins & limited usb device support. No competitive upgrade path or discounts are available either, the next step up in the protools chain is the full retail purchase of one of the other versions.[edit] Control surfaces
Digidesign control surfaces attempt to bridge the gap between old style analogue desks and modern DAWs by providing physical controls for the Pro Tools software. The latest control surface is the C|24, successor to the Control|24, a 24 fader control surface with 16 built in Focusrite "A" Class Mic Preamps. A fairly new addition to the range is the ICON: Integrated Console Environment, combining a tactile control surface and a Pro Tools|HD Accel system in one unit. VENUE, a similar system, was released for live sound applications. These large control surfaces use an Ethernet connection to the host computer, but for Pro Tools users with smaller needs, the Command|8 is a small eight fader control surface which connects via USB.[edit] Related products and services
An official Pro Tools training curriculum and certification program, which includes a full range of Pro Tools–related courses in music and post production, was introduced by Digidesign in 2002. The curriculum is delivered by a number of schools and universities around the world.The Music Production and DV Toolkits increase the capabilities of non HD Pro Tools systems. Both increase the maximum number of tracks and highest possible sample rate to 96 kHz and include numerous additional plug-ins. The LE only DV Toolkit adds feet and frames and timecode timelines and functionality.
[edit] AIR (Advanced Instrument Research)
In August 2005 Avid acquired the German company Wizoo, developers of software based virtual instruments. They further announced the creation of AIR (Advanced Instrument Research) a strategic development which meant Avid would be developing virtual instruments and plug-ins for use in Pro Tools.[14]This was a move which saw the landmark redevelopment of Pro Tools in Pro Tools 8, which relied heavily on the inclusion of AIR plug-ins to bring it closer to its competitor Logic Pro. This was the first version of Pro Tools to see the inclusion of an entire virtual instrument library to assist those composing music[15] and included:
- Structure FREE, a sample playback instrument.
- Boom, a beat box
- Xpand2, a multi-timbral sound playback module.
- DB33, a Hammond Organ emulator
- Vacuum, a monophonic vintage synth.
- Mini Grand, Piano.
http://en.wikipedia.org/wiki/Pro_Tools
04/10/10
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